Press

Fritz & Matlock

Offies nominated and shortlisted for the Brighton Fringe Award for Excellence. 

‘Jess Millward’s lithe direction keeps pace with the changes in tone as the drama unfolds’ 

The Stage - ★★★★

'Fritz & Matlock is exceptional in form, style, and tone, with an effervescent personality and strong focus from start to finish.' 

The Reviews Hub ★★★★★

'Millward’s direction embellishes the spoken text with subtle movement and body language of the performers, who use it to effectively shift between the present action and past flashbacks.'

North West End - ★★★★

'Artfully crafted exchanges allow the tension to build, higher and higher, up until the final minutes, when the drama reaches a breaking point.'

Everything Theatre - ★★★★

'For me this was character acting at its best; we watch the flatmates’ relationship being subverted and changed in real time. That’s hard enough in a full-length play but brilliantly achieved in an hour here. Excellent theatre.'

Three Weeks ★★★★

I Can’t Hear You

Standing Ovation Award Nominated

‘The chemistry between Birkbeck and Cashman is relentless’ 

London Pub Theatres ★★★★★

'a perfect example of how vital new writing is' 

Spy in the Stalls - ★★★★

Good Gracious, Good Friday

'Direction by Jessica Millward is energetic; never has idleness felt so manic' 

Spy in the Stalls- ★★★★

Without Malice or Ill Will

Fringe Guru - ★★★★★ 

A Life Sentence

'Eleanor Byrne delivers an open and honest monologue style play in honour of her Grandmother. Under the brilliant direction by Jessica Millward' 

Theatre, film and reviews